×
165
Fashion Jobs
NAKD
Garment Technician
Permanent · GOTHENBURG
H&M
Construction Project Manager
Permanent · STOCKHOLM
DANIEL WELLINGTON
CRM Manager
Permanent · STOCKHOLM
NAKD
Head of Buying
Permanent · GOTHENBURG
ARKET
Operations Manager Café
Permanent · STOCKHOLM
H&M
Section Head/Buying Manager For h&m Beauty-External Brands
Permanent · STOCKHOLM
DANIEL WELLINGTON
Global Marketing Manager
Permanent · STOCKHOLM
ADIDAS
fp&a Manager
Permanent · STOCKHOLM
NAKD
Supply & Demand Planner
Permanent · GOTHENBURG
NAKD
Purchasing Controller
Permanent · GOTHENBURG
RITUALS
Rituals Söker en Real Estate Coordinator
Permanent · STOCKHOLM
ZALANDO
Principal Product Manager - Data Science (All Genders)
Permanent · STOCKHOLM
H&M
Buyer/Product Developer - Singular Society – All Product Categories For Home
Permanent · STOCKHOLM
H&M
Art Director to h&m Studios
Permanent · STOCKHOLM
NAKD
Fashion Art Director
Permanent · GOTHENBURG
ZALANDO
Senior Product Manager - Financial Management (All Genders)
Permanent · STOCKHOLM
L'OREAL GROUP
Nordic E-Commerce Key Account Manager - l’Oréal Dermatological Beauty Division (Ldb) – Stockholm or Copenhagen
Permanent · STOCKHOLM
ZALANDO
Senior Product Manager - Zalando Premium Logistics (Multi-Channel B2B Platform) (All Genders)
Permanent · STOCKHOLM
ZALANDO
Head of Product Design, Connected Network (All Genders) (Stockholm)
Permanent · BERLIN
H&M
dc HR Specialist – Employee Relations
Permanent · ESKILSTUNA
HERMÈS BENELUX-NORDICS
Beauty & Fragrance Ambassador Stockholm
Permanent · STOCKHOLM
RITUALS
Butikssäljare - Karlstad - Bergvik
Permanent · KARLSTAD
By
AFP
Published
Sep 29, 2017
Reading time
2 minutes
Share
Download
Download the article
Print
Click here to print
Text size
aA+ aA-

Exhibit at New York's MoMA looks at iconic garments

By
AFP
Published
Sep 29, 2017

The Museum of Modern Art is staging an exhibit of iconic clothing and accessories to examine the relationship between fashion and society.

On display are 111 high-impact items like Levi's 501 jeans, the little black dress, the sari, the pearl necklace and even tattoos -- all part of the cultural heritage of the West and elsewhere in this century and the 20th.

"Is Fashion Modern?" opens Sunday and runs through January 28 - MoMA



In MoMA's first exhibit on fashion since 1944, the show features garments that seem timeless, like the Panama hat.

But it also includes items from everyday life or those denoting religious affiliation, such as the yarmulke for Jewish men and the headscarf for Muslim women.

The exhibit is called "Is Fashion Modern?" It opens Sunday and runs through January 28.

It provides a chance to recall how certain garments symbolized what was considered modern in a given period of history.

Although curators say the show is about objects, rather than their designers, the influence of Yves Saint Laurent permeates.

His "Le Smoking" -- the first tuxedo for women, introduced in Paris in 1966 -- crystallized the evolution of women's status and their aspirations in life.

Saint Laurent's signature black boots and espadrilles are also on display.

Modernity was also the very 1960s futuristic aspiration of Paco Rabanne and his aluminum dress, and that of Pierre Cardin as seen in his bold Cosmos dress.

Fashion is also modern simply because it reflects the spirit of the times. This show looks at fashion's relationship to everyday street life and all that it inspires.

The best illustration, however, is the powerful world of sportswear, born far from the catwalks of New York and Paris but now nestled intimately in every layer of society.

To wit: Converse All Star sneakers, sports jerseys, Lacoste polo shirts and track suits are all part of the show, and basics of many people's wardrobes.

To accompany the exhibit, MoMA commissioned the manufacture and marketing of several garments based on beloved clothing from the past, such as a Breton sailor-style shirt by Armor-Lux of France and a seamless sweater by Issey Miyake.

Copyright © 2023 AFP. All rights reserved. All information displayed in this section (dispatches, photographs, logos) are protected by intellectual property rights owned by Agence France-Presse. As a consequence you may not copy, reproduce, modify, transmit, publish, display or in any way commercially exploit any of the contents of this section without the prior written consent of Agence France-Presses.